This edition presents all of the surviving manuscripts, together with textual apparatus and commentary. The poem is also presented in parallel with its principal source, Boccaccio's "Filostrato", enabling the reader to compare the two poems in charting the evolution and achievement of Chaucer's "Troilus". This edition has been revised and corrected in order to make the text fully accessible to the reader unfamiliar with Chaucer's work. An introduction discusses the text, metre and sources of "Troilus" and assesses the literary importance of Chaucer's translation method.

New approaches to religious texts from the Middle Ages, highlighting their diversity and sophistication. From the great age of pastoral expansion in the thirteenth century, to the revolutionary paroxysms of the English Reformation, England's religious writings, cultures, and practices defy easy analysis. The diverse currents of practice and belief which interact and conflict across the period - orthodox and heterodox, popular and learned, mystical and pragmatic, conservative and reforming - are defined on the one hand by differences as nuanced as the apophatic and cataphatic approaches to understanding the divine, and on the other by developments as profound and concrete as the persecution of declared heretics, the banning and destruction of books, and the emergence of printing. The essays presented in this volume respond to and build upon the hugely influential work of Vincent Gillespie in these fields, offering a variety of approaches, spiritual and literary, bibliographical and critical, across the Middle Ages to the Protestant Reformation and beyond. Topics addressed include the Wycliffite Bible; the Assumption of the Virgin as represented in medieval English culture; Nicholas Love and Reginald Pecock; and the survival of latemedieval piety in early modern England. LAURA ASHE is Professor of English Literature and Tutorial Fellow, Worcester College, Oxford; RALPH HANNA is Professor of Palaeography (emeritus), Keble College, Oxford. Contributors: Tamara Atkin, James Carley, Alexandra da Costa, Anne Hudson, Ian Johnson, Daniel Orton, Susan Powell, Denis Renevey, Michael G. Sargent, Annie Sutherland, Nicholas Watson, Barry Windeatt.

The story for children 10 and up of St. Rose of Lima, who became a hermit in her own home--rather than go to a convent--and how she became a great Saint. At her confirmation in 1597, she took the name of Rose, because, when an infant, her face had been seen transformed by a mystical rose. As a child she was remarkable for a great reverence, and pronounced love, for all things relating to God. Impr. 132 pgs 13 Illus, PB

Shows how St. Thomas was big, quiet and slow to speak, thus being called the \"Dumb Ox\" by fellow students. Shows for children 10 and up how this \"Dumb Ox\" became the greatest teacher in the history of the Church. Impr. 81 pgs 16 Illus, PB

\"Papa, what\'s the new baby\'s name?\" asked one of the Martin girls.
Little Therese was \"the baby\" of the Martin family. She was also her Papa\'s \"Little Queen.\" With her Mama, her Papa and her 4 big sisters to love her, Therese could have turned out to be a very spoiled little girl. And indeed, it is true that sometimes she was cross and naughty.
But Therese had hit upon a plan: she had decided to become a saint. To do this, she would love God every minute and would always say, \"Yes\" to whatever He asked of her.
Would this really make Therese into a saint? Wasn\'t it too easy? Or maybe it would sometimes be too hard? And wouldn\'t Therese forget about her plan as she grew older?
This book tells what happened to little Therese: It shows how Therese received a second mother when she lost her first mother, how she was teased at school, and how she was cured of being a crybaby. It tells about her mysterious illness, her miraculous cure, her First Holy Communion, the terrible criminal whose soul she won back for God, and what she decided to do when she grew up.
All in all, here is the wonderful true story of what happened when little Therese Martin set out to become a saint.

This edition presents all of the surviving manuscripts, together with textual apparatus and commentary. The poem is also presented in parallel with its principal source, Boccaccio's "Filostrato", enabling the reader to compare the two poems in charting the evolution and achievement of Chaucer's "Troilus". This edition has been revised and corrected in order to make the text fully accessible to the reader unfamiliar with Chaucer's work. An introduction discusses the text, metre and sources of "Troilus" and assesses the literary importance of Chaucer's translation method.

Fully-annotated edition of English mystic Margery Kempe's life and divine revelations [dated 1436-8]. [This edition previously published by Longman.] The Book of Margery Kempe, the earliest surviving autobiography in English (dated 1436-8), is a unique account of the extraordinary life, travels and revelations of a fifteenth-century Norfolk housewife and mother, pilgrim,prophet and visionary; it is one of the most compelling and significant English texts of the middle ages. This volume presents the original text in accessible form for modern readers, with on-page glossing and a glossary of common words. It is accompanied by on-page annotation of and commentary on the Book, bringing together scholarship on Kempe and setting her life in the social, political and spiritual context of her time. An introduction provides information on and context for the further interpretation of the text, and the volume is completed by a chronology of Kempe's life. [This edition previously published by Longman.] Professor BARRY WINDEATT is a Fellow of Emmanuel College, Cambridge.

Survey of and guide to all the major authors and genres in Middle English prose. The essays in this volume provide an up-to-date and authoritative guide to the major prose Middle English authors and genres. Each chapter is written by a leading authority on the subject and offers a succinct account of all relevant literary, history and cultural factors that need to considered, together with bibliographical references. Authors examined include the writers of the Ancrene Wisse, the Katherine Group and the Wohunge Group; Richard Rolle; Walter Hilton; Nicholas Love; Julian of Norwich; Margery Kempe; "Sir John Mandeville"; John Trevisa, Reginald Pecock; and John Fortescue. Genres discussed include romances, saints' lives, letters, sermon literature, historicalprose, anonymous devotional writings, Wycliffite prose, and various forms of technical writing. The final chapter examines the treatment of Middle English prose in the first age of print. Contributors: BELLA MILLETT, RALPH HANNA III, AD PUTTER, KANTIK GHOSH, BARRY A. WINDEATT, A.C. SPEARING, IAN HIGGINS, A.S.G. EDWARDS, VINCENT GILLESPIE, HELEN L. SPENCER, ALFRED HIATT, FIONA SOMERSET, HELEN COOPER, GEORGE KEISER, OLIVER S. PICKERING, JAMES SIMPSON, RICHARD BEADLE, ALEXANDRA GILLESPIE.

This edition brings together for the first time key texts representing the writings of the medieval English mystics. The texts have been newly edited from early manuscripts, and are supplemented with textual and explanatory notes and a glossary. The book focuses on five major authors, Richard Rolle, Walter Hilton, the anonymous author of The Cloud of Unknowing, Dame Julian of Norwich, and Margery Kempe. Shorter works are presented whole, where possible, and accompanied by extracts from the mystics' longer works; extracts from contemporary translations into English are also included to illustrate the reception of European mystical texts in later medieval England. Overall, this volume makes accessible some of the finest writing by English contemplatives and visionaries of the Middle Ages.

Chaucer was perceived as the father of English poetry, and his works gave rise to a diversity of traditions of both creative response and critical commentary, to subsequent 'Chaucerian' authors and to a body of comment about his writings. This book is the first to describe Chaucer's literary influence across a wide range of writers and periods. It takes as its theme the variety of responses to Chaucer or 'Chaucer Traditions', and addresses topics of special interest arising from the effects Chaucer's work had on subsequent writers in the three centuries leading up to Dryden. Each essay focuses on a certain writer or literary tradition discussing these in the context of Chaucer's work and its influence. The result is an important collection of essays which will be of interest to all teachers and students of Chaucer, as well as to scholars of poetry in later periods.

Though written for children 12 and older, this is also the best biography for adults of St. Louis De Montfort, the \"Apostle of Mary, \" famous preacher and author of True Devotion to Mary and The Secret of the Rosary. Truly inspiring Impr. 211 pgs 20 Illus, PB

This edition brings together for the first time key texts representing the writings of the medieval English mystics. The texts have been newly edited from early manuscripts, and are supplemented with textual and explanatory notes and a glossary. The book focuses on five major authors, Richard Rolle, Walter Hilton, the anonymous author of The Cloud of Unknowing, Dame Julian of Norwich, and Margery Kempe. Shorter works are presented whole, where possible, and accompanied by extracts from the mystics' longer works; extracts from contemporary translations into English are also included to illustrate the reception of European mystical texts in later medieval England. Overall, this volume makes accessible some of the finest writing by English contemplatives and visionaries of the Middle Ages.

'All shall be well, and all shall be well, and all manner of thing shall be well' Julian of Norwich is one of the most celebrated figures of the English Middle Ages. She is esteemed as one of the subtlest writers and profoundest thinkers of the period for her account of the revelations that she experienced in 1373. Julian lived as an anchoress in Norwich, and after recovering from a serious illness she described the visions that had come to her during her suffering. She conceived of a loving and compassionate God, merciful and forgiving, and believed in our ability to reach self-knowledge through sin. She wrote of God as our mother, and embraced strikingly independent theological opinions. This new translation conveys the poise and serenity of Julian's prose style to the modern reader. It includes both the short and long texts, written twenty years apart, through which Julian developed her ideas. In his introduction Barry Windeatt considers Julian's astonishingly positive vision of humanity and its potential for spiritual transformation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

\"Sister, it couldn\'t have happened \" declared the priest. \"It was all a dream, like the other time.\" But Sister Catherine was sure she had truly seen Our Lady. And then Our Lady came again Would the priest ever believe her--and would he ever have the Medals made, as Our Lady has asked? Here are the answers and the wonderful story of what happened when the Blessed Virgin Mary came to St. Catherine Laboure.

One of the most important medieval writers studied in historical and literary context. Julian of Norwich, the fourteenth/early fifteenth-century anchoress and mystic, is one of the most important and best-known figures of the Middle Ages. Her Revelations, intense visions of the divine, have been widely studied and read; the first known writings of an English woman, their influence extends over theology and literature. However, many aspects of both her life and thought remain enigmatic. This exciting new collection offers a comprehensive, accessible coverage of the key aspects of debate surrounding Julian. It places the author within a wide range of contemporary literary, social, historical and religious contexts, and also provides a wealth of new insightsinto manuscript traditions, perspectives on her writing and ways of interpreting it, building on the work of many of the most active and influential researchers within Julian studies, and including the fruits of the most recent,ground-breaking findings. It will therefore be a vital companion for all of Julian's readers in the twenty-first century. Dr Liz Herbert McAvoy is Senior Lecturer in Gender in English and Medieval Studies at Swansea University. Contributors: Denise M. Baker, Alexandra Barratt, Marleen Cre, Elisabeth Dutton,Vincent Gillespie, Cate Gunn, Ena Jenkins, E.A. Jones, Liz Herbert McAvoy, Laura Saetveit Miles, Kim M. Philips, Elizabeth Robertson,Sarah Salih, Annie Sutherland, Diane Watt, Barry Windeatt.

This is a comprehensive critical guide to Chaucer's Troilus and Criseyde. This new edition has been comprehensively revised in light of the latest scholarly and critical research and with a fully updated bibliography. It includes a full account of Chaucer's imaginative deployment of his sources, and an extended survey of this narrative poem's innovative combination of a range of generic identities. The chapters explain how Chaucer builds thematic significance into his poem's symmetrical structure, and the poem's distinctive variety in style and language, as well as a full commentary on the poem's concerns with love in the contexts of time and mutability and human free will. The Guide explores the poem as an extended debate about the nature and value of love, and how love was conceptualized and experienced as a form of service in quest of compassionate reward, a quasi-religious devotion, and a potentially fatal illness always in hope of cure. The subjectivities of the chief protagonists are fully analysed, as is the poem's problematic ending. Alongside discussions of theme and structure, there is also an account of what the extant manuscripts of Troilus and Criseyde may reveal about the poem's early genesis, and a unique survey of responses to Troilus from its own times to the present day. Barry Windeatt's contribution to the series is a comprehensive single-volume guide to Troilus and Criseyde, bringing together a wide range of material and providing a readable commentary on all aspects of the work. Combining the informative substance of a reference book with the coherence of a critical reading, the Guide has taken its place as the standard introduction to Troilus and Criseyde since its first publication in 1992.

New approaches to the everlasting malleability and transformation of medieval romance. The essays here reconsider the protean nature of Middle English romance. The contributors examine both the cultural unity of romance and its many variations, reiterations and reimaginings, including its contexts and engagements with other discourses and forms, as they were "rewritten" during the Middle Ages and beyond. Ranging across popular, anonymous English and courtly romances, and taking in the works of Chaucer and Arthurian romance (rarely treated together), in connection with continental sources and analogues, the chapters probe this fluid and creative genre to ask just how comfortable, and how flexible, are its nature and aims? How were Middle English romances rewritten toaccommodate contemporary concerns and generic expectations? What can attention to narrative techniques and conventional gestures reveal about the reassurances romances offer, or the questions they ask? How do romances' central concerns with secular ideals and conduct intersect with spiritual priorities? And how are romances transformed or received in later periods? The volume is also a tribute to the significance and influence of the work of Professor Helen Cooper on romance. Elizabeth Archibald is Professor of English Studies at Durham University; Megan G. Leitch is Senior Lecturer in English Literature at Cardiff University; Corinne Saunders is Professor of English andCo-Director of the Centre for Medical Humanities at Durham University. Contributors: Elizabeth Archibald, Julia Boffey, Christopher Cannon, Neil Cartlidge, Miriam Edlich-Muth, A.S.G. Edwards, Marcel Elias, Megan Leitch, Andrew Lynch, Jill Mann, Marco Nievergelt, Ad Putter, Corinne Saunders, Barry Windeatt, R.F. Yeager

Essays on the many key aspects of medieval literature, reflecting the significant impact of Professor Derek Brewer. Derek Brewer (1923-2008) was one of the most influential medievalists of the twentieth century, first through his own publications and teaching, and later as the founder of his own academic publishing firm. His working life of some sixty years, from the late 1940s to the 2000s, saw enormous advances in the study of Chaucer and of Arthurian romance, and of medieval literature more generally. He was in the forefront of such changes, and his understandings ofChaucer and of Malory remain at the core of the modern critical mainstream. Essays in this collection take their starting point from his ideas and interests, before offering their own fresh thinking in those key areas of medieval studies in which he pioneered innovations which remain central: Chaucer's knight and knightly virtues; class-distinction; narrators and narrative time; lovers and loving in medieval romance; ideals of feminine beauty; love,friendship and masculinities; medieval laughter; symbolic stories, the nature of romance, and the ends of storytelling; the wholeness of Malory's Morte Darthur; modern study of the medieval material book; Chaucer's poetic language and modern dictionaries; and Chaucerian afterlives. This collection builds towards an intellectual profile of a modern medievalist, cumulatively registering how the potential of Derek Brewer's work is being reinterpreted and is renewing itself now and into the future of medieval studies. Charlotte Brewer is Professor of English Language and Literature at Oxford University and a Fellow of Hertford College, Oxford; Barry Windeatt is Professor of English in the University of Cambridge and a Fellow of Emmanuel College, Cambridge. Contributors: Elizabeth Archibald, Charlotte Brewer, Mary Carruthers, Christopher Cannon, Helen Cooper, A.S.G. Edwards, Jill Mann, Alastair Minnis, Derek Pearsall, Corinne Saunders, James Simpson, A.C. Spearing, Jacqueline Tasioulas, Robert Yeager, Barry Windeatt.

The famous life and great miracles of St. Benedict, for all children 10 and up. The story of poisoned wine, saving a body from drowning, raising one from the dead, plus, how he founded the Benedictine Order, his sister, St. Scholastica, etc. Impr. 158 pgs 19 Illus, PB

Essays on book history, manuscripts and reading during a period of considerable change. The production, transmission, and reception of texts from England and beyond during the late medieval and early renaissance periods are the focus of this volume. Chapters consider the archives and the material contexts in which texts were produced, read, and re-read; the history of specific manuscripts and early printed books; and some of the continuities and changes in literary and book production, dissemination, and reception in the fifteenth and sixteenth centuries. Responding to Professor Julia Boffey's pioneering work on medieval and early Tudor material and literary culture, they cover a range of genres - from practical texts written in Latin to works of Middle English poetryand prose, both secular and religious - and examine an assortment of different reading contexts: lay, devotional, local, regional, and national. TAMARA ATKIN is Senior Lecturer in Late Medieval and Early RenaissanceLiterature, and JACLYN RAJSIC is Lecturer in Medieval Literature, at the School of English and Drama, Queen Mary University of London. Contributors: Laura Ashe, Priscilla Bawcutt, Martin Camargo, Margaret Connolly, Robert R. Edwards, A.S.G. Edwards, Susanna Fein, Joel Grossman, Alfred Hiatt, Pamela M. King, Matthew Payne, Derek Pearsall, Corinne Saunders, Barry Windeatt, R.F. Yeager.

Margery Kempe and her Book studied in both literary and historical context. Margery Kempe's Book provides rare access to the "marginal voice" of a lay medieval woman, and is now the focus of much critical study. This Companion seeks to complement the existing almost exclusively literary scholarship with work that also draws significantly on historical analysis, and is concerned to contextualise Kempe's Book in a number of different ways, using her work as a way in to the culture and society of medieval northern Europe. Topics include images and pilgrimage; women, work and trade in medieval Norfolk; political culture and heresy; the prophetic tradition; female mystics and the body; women's roles and lifecycle; religious drama and reenactment; autobiography and gender. Contributors: JOHN H. ARNOLD, P.H. CULLUM, ISABEL DAVIS, ALLYSON FOSTER, JACQUELINE JENKINS, KATHERINE J. LEWIS, KATE PARKER, KIM M. PHILLIPS, SARAH SALIH, CLAIRE SPONSLER, DIANE WATT,BARRY WINDEATT.

This volume makes available in translation the texts that lie behind Chaucer's dream poems - l>The Book of the Duchess, The Parliament of Fowls, The House of Fame/l> and l>Prologue to the Legend of Good Women/l>. Chaucer's dream poems are now being increasingly studied and appreciated. With their attractively bookish dreamer figure and their graceful use of conventions and traditions, they have their distinctive place in Chaucer's work. But the nodern reader of these medieval poems particularly needs a sense of their literary context in the tradition of comparable narrative poems - largely in OId French - which Chaucer knew and drew upon. None of these French poems has ever been made available in English translation before, and many of the texts are difficult to access, being available only in dated French scholarly editions. The authors represented are Froissart, Machaut and Deschamps, as well as some minor and anonymous poems, and there are also relevant translations from Cicero and Boccaccio. The book gives an idea of what Chaucer's sources were in themselves, and in what ways the English poet was inspired to use and go beyond them, and this presents a picture of the poet at work. Some of the French poems are translated carefully by Chaucer, while with other poems he is selective, interested in certain sections of his sources only. In further cases, the original material can be seen to have provided a more general point of departure for Chaucer's own developments on his work.